I’ve been holding off on this post for a few weeks but decided that maybe I can sneak it in without too much fear.
I detest the thought of war yet find that there are a surprisingly large number of war related movies that I enjoy watching multiple times. War is not at all funny yet there are a bunch of comedies on this list (albeit some where the phrase black comedy applies). As always, I would advise folks not to watch the movies, even those based on history, and expect them to always conform to the facts but to watch them as a tale told well.
I’m going to start the listing with some bio pics I’ve enjoyed. The first two “celebrate” (for lack of a better term) two people that I’ve always considered as heroes. Sergeant York is the story of World War I proclaimed pacifist and Medal of Honor winner Sergeant Alvin York with Gary Cooper in the lead role. To Hell and Back starred Audie Murphy as – Audie Murphy. Also a Medal of Honor winner, Murphy was the most decorated US soldier during World War II yet looked young enough ten years after the end of the war to play himself. It wasn’t until I saw the movie Patton that I became a bit familiar with the career of George S. Patton. Had I ever toured the Patton Museum at Fort Knox, I might have learned a bit more about the man but the one time I can recall visiting Fort Knox during my high school days, we didn’t do a tour of the museum. The Wings of Eagles is the story of Frank “Spig” Wead, a Naval aviator and playwright with John Wayne as Wead. The Long Gray Line was as much a story of West Point as it was the story of Martin “Marty” Maher. . . .
I was stationed at Hickam AFB, HI for four years while I was in the USAF. Each day, as I walked up the steps to the Accounting Office, I saw holes in the metal where Japanese rounds had gone through. The building I worked in had been an Army Air Corp barracks at the time and all the bullet scars were left as reminders of Pearl Harbor. Tora! Tora! Tora! was partly filmed on Hickam and at Pearl Harbor but I was never able to tell exactly where the camera angles had been located. In Harm’s Way starts on “December 6, 1941″ then continues on into the war. While not dealing with the attack itself, Go For Broke is the story of the 442nd Regimental Combat Team, comprised of Nisei – American born sons of Japanese immigrants, approximately two-thirds of whom came from Hawaii. The folks I met in Hawaii were very proud of the 442nd (though I was cautioned that the racial slur used in the movie was not recommended for a haole to use by the time I was there).
Prison movies have long been a staple of the movie industry, and just because the main category is war, doesn’t mean there aren’t prison movies. I’ll start here with The Bridge On the River Kwai. I will now embarrass myself by telling the tale of when I was in the Boy Scouts and we would use the Col Bogey March from this movie with faces painted onto our stomachs, pull our shirts over our heads, turn around to face the crowd and move our stomachs to the tune. While not a prison directly, Empire of the Sun, directed by Steven Spielberg and starring a young Christian Bale, was set at a Japanese detainment camp.
Films set in German prison camps that I enjoy include Stalag 17 (I have a vague recollection of reading somewhere that this film was also the “inspiration” for Hogan’s Heroes but can’t claim this is fact). Von Ryan’s Express stars Frank Sinatra as an American Colonel leading mostly British prisoners in an escape but The Great Escape is probably the best of all the POW movies.
The Dirty Dozen combines both prison and behind the lines/commando action which leads to the behind the lines movies such as The Guns of Navarone, Force 10 from Navarone, and Where Eagles Dare all have allied commando teams going behind German lines while The Eagle Has Landed has the German commando team going into England.
The Longest Day and the Battle of the Bulge are both well known WWII battles and films though the Longest Day is far better all the way around.
There are a couple of Vietnam War movies I do enjoy re-watching – Apocalypse Now (“I love the smell of napalm in the morning”) and Full Metal Jacket. While I enjoyed Platoon and Hamburger Hill the first time I saw them, it was not enough to make me want to see them over and over.
I mentioned the seemingly contradictory war comedies at the top of this and here they are. Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Catch 22, and M*A*S*H all fit the definition of black comedy. Operation Petticoat and Father Goose, both starring Cary Grant, each have some dramatic elements but far more comedy than drama as does The Secret War of Harry Frigg, a Paul Newman bit of fluff. Stripes, Private Benjamin, and Buck Privates just all go for the comedy.
Other Essential Movies: Westerns, Historical Settings (pre-1500), Historical Settings (post 1500), Sword and Sorcery, and Science Fiction.
And because I can:



26 Comments

Dakine, thanks for the list.
Another Vietnam film that is very good is the low budget 84 Charlie Mopic .
And of course Kubrick’s Paths of Glory is one of the great anti-war films.
I’m not a big war movie watcher, my list of favorites is almost completely different than yours, and they’re mostly foreign films: For Whom The Bell Tolls, Closely Watched Trains(Czech movie), Open City, The Battle of Algiers, The Train, All Quiet on the Western Front(original version). I do also like Mash and Stalag 17.
As I say, I’m a bit surprised at the war movies I do enjoy. Some of it for me may just be when and where I was born. I did enjoy All Quiet on the Western Front, just not enough to watch multiple times.
And I do think some of these are subtle anti-war movies (or like Dr Strangelove, maybe not so subtle)
On the Beach wasn’t mentioned, I guess it’s so much concerned with the aftermath of war – but I associate it with that genre. One I still can’t watch is Saving Private Ryan.
As always, this is no where near a totally inclusive list.
I’ve managed to avoid watching the first 20 minutes or so of Saving Private Ryan myself.
You want an experience? Watch Saving Private Ryan and then go visit Omaha Beach. Take the walk down the ravine to the beach at low tide. From the waterline to the seawall is about twice the length of a football field, the cliffs are much higher, etc. Only then can you even begin to imagine the scale of what when on.
On the bus tour ride out from Paris to Normandy I learned that the older guy sitting across the aisle had been in the first assault wave on Omaha beach on D-Day. (He had his his son, daughter-in-law, and grandkids with him.) I immediately figured, “Screw the tour guide, I’m tagging along with this guy”. Have a picture of him and me in front of one of the old German artillery emplacements, with the German gun still in place.
Inside the bunker there is a perfectly round hole five inches in diameter in the shield plate in front of where the elevation operator sits. There is also a huge crater in the back of the bunker. The vet explained to me that the hole and crater were caused by a Navy five-inch shell that went through the shield, undoubtedly took the elevation operators’ head off, then exploded against the back wall. It turns out, the battle on Omama beach turned on something most people don’t know: as the tide came back in, several destroyer captains risked grounding their ships to sneak in close enough to fire on the German gun emplacments. (The captains had been watching the carnage through binoculars and decided, on their own, that they couldn’t sit by any longer. They didn’t exactly defy orders, they just didn’t bother to let the chain of command know they were moving in closer than they were supposed to.) Since none of our amphibious tanks made it ashore safely on Omaha beach, without the artillery support from the destroyers untold hundreds, perhaps thousands, might have died on bloody Omaha. (At one point the losses were so great that commanders considering evacuating the beach.)
Something else to see at Omaha Beach is the U.S. Military cemetery, particularly the wall dedicated to the 54 sets of brothers and four sets of fathers and sons buried there. (Talk about “a bad day for mother”.)
Also, although it’s technically not a movie but a mini-series, BAND OF BROTHERS is hard to beat.
I have to throw in a bunch that didn’t get mentioned: (WWII)From Here to Eternity; Run Silent, Run Deep; (Civil War) Glory; Gone with the Wind; (Indian Frontier) Little Big Man; I Will Fight No More Forever; Fort Apache; Buffalo Soldiers; Last of the Mohicans;(Revolutionary War) Drums Along the Mohawk. I’ve only seen some of these movies, but I thought that the category should be expanded with what some people consider good movies of these types. Of course, not all possible movies are mentioned and some may disagree, but these are just to get people started.
There is a documentary film about the Spanish Civil War called To Die in Madrid. It is probably skewed toward the Republicans, but that would be my inclination anyway.
Zulu
King Rat
Seven Beauties
The English Patient
Fires on the Plain
The Young Lions (Marlon Brando and Montgomery Clift)
From Here to Eternity
The Naked and the Dead
Kirk Douglas turned down William Holden’s role in Stalag 17. Douglas had seen the play and underestimated what Billy Wilder could do with the material.
FWIW, I intend to mention GWTW in a later post as I do not consider it a strictly war movie
And though I did not mention those “Indian Frontier” movies (other than Fort Apache), they would have been under the “Westerns” category I did a few weeks ago
And yes, the list is not inclusive by any stretch – it is just mainly the lists of movies that I find myself watching multiple times and enjoying no matter how many times I may have seen them before.
OhmiGawd, yes, The Last of the Mohicans is a fabulous bit of movie-making. Talk about economy of storytelling!
Also, did anybody mention The Patriot? Very good fictionalized account of how the Revolutionary War played out in the Carolinas and Virginia.
Paths of Glory would be my top choice. A film which wasn’t even shown in France until 18 years after initial release. Leaders are none to fond of criticism.
W/regard to black comedy: Catch 22 and Dr Strangelove
A Bridge Too Far is also worth a mention.
You’ll notice that I had both Catch 22 and Dr Strangelove mentioned
I don’t care much for most older American-made war movies, or those told from American perspectives. Maybe it’s because that’s all that seemed to play on television when I was a kid, and they always cast their opponents in a negative light, never allowed room for anything but black-and-white good-versus-evil storylines.
If I had to pick war movies that I’d love to watch again, I’d pick:
Lawrence of Arabia, directed by David Lean
Ran, directed by Akira Kurosawa
Ip Man, directed by Wilson Yip
Defiance, directed by Edward Zwick
I’m sure if I sat down and thought about it I could come up with more, but these come to mind readily.
I do know what you mean about the jingoism of most US war films. But rather like some of the racism and sexism in many early films, I do recognize it for what it is.
I did enjoy Lawrence when I first saw it but it’s just not one of those that I find easy to watch multiple times
Battle of Algiers (1966) is a masterpiece. Criterion issued a 3-disc DVD with supplemental interviews and a booklet in 2004. The movie is 2 hours and directed by Gillo Pontecorvo. The movie deals particularly with events between 1954 and 1957. It is filmed in black and white in a grainy newsreel style. Earlier versions came with a notice that not a single frame of the movie was actual newsreel footage. There is only 1 actor in the film, the French paratrooper colonel, who is a composite of a handful of several actual French officers. When the situation escalates beyond the police’s capabilities, the French bring in paratroopers. They are not squeamish about torturing. The music is by Ennio Morricone who made the music for 4 Sergio Leone westerns. The producer, Yacef Saadi, plays an important role in the film. Algerians went looking in Italy for a director with leftist sentiments to tell their story. Saadi was captured and imprisoned in France. Says he lived and wrote under a great deal of stress in prison for 2 years, and gestures with his hand across his throat. A guillotining of a political prisoner in Algiers early in the film plays an important part in radicalizing the main character, Ali La Pointe. The French at the time had been in Algeria for 130 years and had most recently been humiliated and withdrawn from Indochina. Algeria, unlike Tunisia and Morocco, was a French state, not a colony. Muslims had resisted French control literally from the start. After the Franco Prussian War in 1870, France lost territory. Many from Alsace-Lorraine relocated to Algeria. The Islamic rebellion is suppressed by the end of 1957. After 2 years of relative quiet, it seems spontaneously to spring again to life in 1960 and Algeria is granted its independence on July 2, 1962. The movie is a template for how to wage an Islamic rebellion, and how to suppress 1. Perhaps you recall that Malcolm X and Che Guevara visited Algeria after independence.
Hehe, yup. Sorry. They’re just very good films!
Indeed the movie is everything you say it is. The last time I saw it was on TCM, introduced by Danny DeVito, as part of their series where actors screen their favorite films. However it had to have been influenced by “Open City” by Roberto Rossellini; also a masterpiece done in a documentary/newsreel style. It was filmed immediately after Rome was liberated by the Allies, hence the realism.
For a sense of what it must have been like and the terror of submarine and naval warfare, let’s not forget Das Boot (original with subtitles). Also, another naval movie that has a pretty good sense of what it must have been like at the time: Master and Commander. And of course having served in the Air Force for 23 years, how could I forget 12 o’Clock High. That was used as a training aid on the rigors of command in Squadron Officer’s School. Still let’s not forget: “War is hell” and should not be glamorized. That being said, it does set the stage for interesting stories of the human experience.
Oh yeah, one other movie but maybe not technically a war movie how about the 1946 film: The Best Years of Our Lives.
I saw an interview that Dick Cavett did with Federico Fellini somewhere around 1972 or so. Fellini was talking about a time when he was a young director. He was shooting a scene happening in a boat and he was in another boat with cameras and equipment. So the two boats were rocking, not necessarily in synchronization. Fellini said that this was a difficult technical problem, that even Kurosawa would have trouble in such a situation.
Kurosawa was a painter before he was a movie director. The same is true of German director FW Murnau.
I can’t believe that I forgot to add GETTYSBURG. Shot as a two-part mini but then released as a long theatrical film. Historically accurate, great casting and performances.
” Das Boat,” and the ” Enemy below ” are the two best submarine pictures ever made.You can just smell the sweat and diesel fuel and claustraphobia. ” Fail Safe,” was the scariest and most realistic cold war narrative. ” Zulu,” among the best dialogue, ” Keep the flies away and First rank fire ” were the second and third best lines ever in a war movie. The best of all time anytime ever had to be Major Reisman in ” The Dirty Dozen,” ” Maggot, a typical American hero laughing in the face of death” ” Followed in the same scene with , ” Besides us southern boys have to stick together.”
Greatest air battle movie hands down was ” Memphis Belle.” The interaction among the crew and the seperate worlds of the officers and enlisted men was so realistic as to be spooky. My combat crew had three officers and three enlisted men. After we landed we never saw each other. I was the hind teat officer just like the navigator in the movie. I had to put up with the pilot`s arrogance and childishness 58 times. He ran out of luck after I left, to bad though, he took my best friend with him.. The super fragelistic greatest war movie of all time had to be, ” All quiet on the Western front.” You could have transposed the Germans with the English or French or even us and the movie would not have changed a whit.
Zenostoa
Quite surprised not to see this on at the top of anyone’s list for this topic:
Gallipoli, 1981.
A must see IMHO . . .
Heck of a review and lists DK, and Pups . . . well done all.
Rcc’d.
Zulu, how could I have overlooked that. Stanley Baker and Michael Caine – excellent performances. BTW my dad flew in B-26 Mauraders during the war (radioman gunner). Hair raising stories he could tell.