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Wednesday Watercooler: RIP James Gandolfini

By: Kit OConnell Wednesday June 19, 2013 8:17 pm

 

Portrait of Gandolfini

Goodbye to a Wild Thing: James Gandolfini died in Italy at 51.

Sad news, tonight: John Gandolfini is dead. From Variety’s obituary:

In a different, pre-HBO world, James Gandolfini the TV star never would have happened. Fox wanted Anthony LaPaglia for the lead role when they were developing “The Sopranos,” and it’s hard to imagine a major network having gone with a guy of Gandolfini’s limited profile at the time.

And from that perspective, just imagine what we would have missed. The news that Gandolfini has died — of an apparent heart attack at the age of 51 — comes as a shock to the system. Having his life cut short also ensures his signature role — as the conflicted, therapy-seeking mob boss Tony Soprano — will forever be indelibly etched to him, as if there was anything that could erase the connection, in the same way Carroll O’Connor will always be Archie Bunker.

Gandolfini established some solid feature credentials both before and after “The Sopranos” (to see a much slimmed-down version rent the movie “Angie,” starring Geena Davis), and he was sensational in the stage version of “God of Carnage.” But he was the sort of actor who would have spent his career as a classic second banana, the best friend or tough guy. David Chase and HBO’s decision to make him their leading man was an audacious bet — one of those serendipitous, life-altering moments that the business rarely braves.

The Sopranos was one of the pioneers of the modern era of challenging, intelligent storytelling on television, and as a result it will always be Gandolfini’s most memorable role. A lot of people are linking to the last scene and its famous onion rings, Journey song, and cutaway.

Yet I appreciated Twitter for reminding me of one of my favorite performances:

So tonight’s video is a clip of Gandolfini as “Carol” in the funny and moving Where the Wild Things Are, showing King Max around a scary part of kingdom. What comes after dust?

What was your favorite role? Or favorite Tony Soprano moment?

More: Gandolfini on Inside the Actors Studio last month, h/t Siun

 

Monday Watercooler

By: Kit OConnell Monday June 17, 2013 8:00 pm

 

Sign: It's A Good Day to Move Your Money

It’s always a good day …

Boards of Canada just released their long-awaited new album Tomorrow’s Harvest. Here’s a fan-made video to the song “Reach For the Dead.” I like the use of glitch art to create haunting imagery of flight that matches the soaring sounds.

Some good news – The Guardian reports that Move Your Money UK succeeded in getting millions of customers to leave the top banks in 2012:

An estimated 2.4 million customers quit the UK’s five biggest banks in 2012 as people “voted with their feet” in response to a string of scandals, according to latest figures.

The Move Your Money UK campaign and website, which issued the figures, said they showed a “mass movement” away from the big banking groups: Lloyds, Royal Bank of Scotland/NatWest, Barclays, HSBC and Santander.

Laura Willoughby, Move Your Money chief executive, said: “The constant slew of scandals last year has opened the floodgates, and people are beginning to realise they don’t have to put up with the arrogance of the big banks.”

 

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Cartoon Friday Watercooler

By: Kit OConnell Friday June 14, 2013 8:18 pm

 

It’s Cartoon Friday again!

Space Ghost

Space Ghost doubles as a talk show host and superhero through the decades.

Hanna-Barbera is not as well regarded these days as other cartoon studios, but they made some classic cartoon moments. Space Ghost took the superhero archetype and moved it to deep space, where the titular hero fought intergalactic evil with the help of his sidekicks Jace, Jan and Blip the monkey. Jace, by the way, was voiced by Tim Matheson, who also voiced Jonny of Jonny Quest.

Space Ghost started in 1966, with a second series in 1981. In 1994, he became part of the beginning of Adult Swim on Cartoon Network as the host of talk-show style cartoons Cartoon Planet and Space Ghost Coast-to-Coast – much like the other Hanna-Barbera reboot Sealab 2021. Villains Zorak, Brak and Moltar came along to become his talk show co-hosts and band leader, which led in turn to another spin-off — my personal favorite – The Brak Show, with once villainous genius Brak now envisioned as the naive son in a off-kilter but stereotypical 50s sitcom family, and mantis-alien Zorak becoming the neighborhood bully. Somehow it worked.

For now though, let’s focus on the delightful, campy b-movie fun of this second series Space Ghost adventure, “Planet of the Space Monkeys” from 1981. Space Ghost is quite the multi-faceted hero — he can fly like Superman, but also has a space ship and the ability to shoot laser beams from his bracelets. I quite like this adorable little manga style version of him that illustrates this piece.

Thanks to Ohio Barbarian for suggesting Space Ghost. What are your favorite cartoons? I’ll try to use your suggestions in a future installment if I can.

More: Wikipedia on Space Ghost

Thursday Watercooler

By: Kit OConnell Thursday June 13, 2013 8:00 pm

 

A Gezi couple in gas masks, one with a wounded eye

Despite injurious attacks and escalating threats, the people keep returning to Taksim Square.

Tonight’s video selection is “Fineshrine” by Purity Ring, from the album Shrines.

Have you been watching livestreams from Taksim Square in Istanbul over the last 36 hours? After Monday’s brutal attack on the square, the people regrouped and brought in a piano. From Turkish Revolution:

The people weren’t intimidated. On the contrary, they invaded Gezi Park, ready for continued resistance. I have never seen the park as packed as I did yesterday. Around seven o’ clock, rumours went around that the police attack was imminent. So everyone put on their gear, calmly, expecting the worst. At the barricades the other morning, one of the anarchists told me that police may use live rounds of ammunition. But, he added, “ideas are bullet proof”.

Three livestreaming units were deployed, and broadcasting. Yet the attack didn’t come. Once again, people formed a human chain around the police, to avoid provocation from our side. Instead of the final apocalyptic battle between good and evil, something else happened. Something unexpected. A piano appeared, a big one, the one they use in concerts. It was decorated with lights, it stood right at the top of the main entrance to the park, ‘nineteen steps to the edge of fear’. Someone sat down, and started to play. “Imagine”, by John Lennon.

So people in the square started to sing. ‘Imagine there’s no heaven… Imagine there’s no countries… And no religion too… You may say I’m a dreamer, but I’m not the only one. I hope some day you’ll join us. And the world will be as one.’

It was a magic moment. You should have seen the public. The old and the young, prepared for battle, listening to music. I see beautiful women wearing construction worker helmets and casually carrying gas masks instead of hand bags, tears in their eyes.

The sing-along continued tonight, with crowds playing, dancing, sharing mere feet away from riot police and the massive ‘TOMA’ trucks that are armed with the powerful water cannons. Sadly, reports that activists in Ankara were under savage police attack arrived while tonight’s concert was underway, and of course the future of this enclave is still very uncertain. Reportedly, some are meeting with the prime minister, but he has warned that the protests have less than 24 hours to end and has told familes and children to leave — they haven’t.

There are beautiful photos on Jenna Pope (@BatmanWI) and Zeynep Tufecki (@Zeynep)’s Twitter timelines, and videos in the archive of livestreamer yongmashum1.

I watched as thousands sang along to “What A Wonderful World” and “Hallelujah” and heard the livestreamer declare Gezi Park the freest place in the world. I could not argue with that.

Meanwhile, in Brazil:

 

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Wednesday Watercooler

By: Kit OConnell Wednesday June 12, 2013 8:19 pm

 

Otter

Even this adorable otter is telling his friends that After Earth sucks.

It’s been rough for Will Smith. Not only is After Earth flopping in the box office, podcasts like How Did this Get Made are already making fun of it, and critics coast-to-coast are panning it. Worst of all, it’s being compared to Battlefield Earth and suggested that the terrible plot and emphasis on removal of emotions are based on the teachings of L. Ron Hubbard — not least because it ends with a battle on a volcano that looks ripped straight from the cover of Dianetics.

Now along come these two pranksters, pretending to be Scientologists. Their video is still viewable, but the Daily Dot reports that their website, cheerupwillsmith.com, was suspended by GoDaddy after the receipt of a DMCA takedown notice:

The video was created by Jason Selvig of the Good Liars, the comedy duo responsible for the Time Warner Cable parody campaign that made news in April. It’s an innocuous and not exceptionally clever video. And mysteriously, the website has been taken down by GoDaddy.

“They said it was Copyright Infringement, Trademark Infringement, and False Identity,” Selvig told the Daily Dot. “The latter is fucking ridiculous if you could have seen the site.”

The obvious suspect behind the take down is the church itself. Of course, there’s no hard evidence for this. But its penchant for overreaction, its comic adherence to secrecy, and its kabal of Hollywood faithfuls (Will Smith, who wrote the story forAfter Earth, is himself a supporter) all conspire to make the church the only interested party with enough power, authority, and proclivity for stray censorship to go after the lo-fi spoof.

Whether it’s especially clever or not, I can’t resist anyone pranking the CoS.

Also, break this link out next time someone tells you racism is no longer a problem in the USA. Especially if they are a basketball fan.

 

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Three Tricks from The Global 1% Playbook

By: Kit OConnell Wednesday June 12, 2013 8:00 am
Protestors in gas masks in Gezi Park

Gas Masks in Gezi: This Is What Democracy Smells Like?

Many journalists and experts have cautioned against drawing too many parallels between the Occupy Gezi movement and Occupy Wall Street, or between the Turkish uprising and the uprisings of the Arab Spring, such as the one centered around Egypt’s Tahrir Square. It’s true that Turkey exists at a pivot point between secular and religious that is unique to its history, for all the superficial resemblances that may have to The Handmaid’s Tale fantasies of America’s Christian conservatives. Each people, each culture, is unique and so are its uprisings.

Yet the Turkish people have embraced the Occupy moniker, as well as solidarity with other global movement’s like Spain’s #15M. Likewise, occupiers and activists worldwide have marched and rallied in support of the Turks. Social media technologies enable a global connection and worldwide solidarity.

And whatever the cultural differences, Monday’s attack on the Gezi Park encampment underlines how the Global One Percent use a shared playbook when they suppress those pesky outbreaks of democracy:

1. Free Speech is Filthy

Much like the empty support voiced by Democratic mayors and politicians in the first days of Occupy Wall Street, Austin Police Chief Art Acevedo infamously commented “This smells like free speech!” during an early visit to the Occupy encampment at City Hall. Months later, he was complaining to the press about the reek of urine and feces at the site. Occupiers were forced to dismantle the camp late at night, three times a week, for a power-washing that did irreparable damage to the beautiful tiles of the plaza. When it still wasn’t filthy enough, the formerly public bathrooms were permanently locked — even after occupiers cleaned them and painted over graffiti.

A similar scenario played out nationwide. By the end of the encampments, crackdowns were being justified by the “health hazard” camps posed. After police swept in and literally tore these temporary communities to shreds, mainstream media could point to footage of the piles of wreckage as evidence of how Occupy filled public spaces with tons of garbage.

It was no surprise to many of us when, as police massed outside Gezi Park last night, the announced purpose of this assembled army was merely to assist in “cleaning up” the space.

Other than “Get a Job!” the asinine comment occupiers heard shouted most often was “Take a shower!” Our rulers and their media puppets did nothing to discourage this. Modern culture is, if anything, overly neurotic about germs and body odor, so what better way to scare away support than to link free speech with filth? At least we have good company in every filthy peasant who dared to raise a pitchfork against serfdom throughout history.

2. Placate, Never Negotiate

The Democratic leaders of many cities claimed to love their Occupy encampments before using the “filth” excuse to see us evicted. Their support came during those brief moments when it seemed as if Occupy could be twisted in their favor as the Left’s answer to the Right’s Tea Party. That support soon vanished, but their initial statements helped save face, and more importantly, discourage anyone from looking too closely for the coordination behind the crackdowns — coordination now proven through FOIA requests and leaked documents.

Problems with hygiene? Regular use of public spaces is destroying the grass? Any real problem at an encampment could conceivably have been solved in a way other than by an invasion of riot police. Likewise, while leaders will voice their support for this expression of popular democracy, they’ll never take their demands seriously. No matter how many lists of demands Occupy issued, it was never enough — we were simply filthy, bored, worthless hippies.

This policy of placation goes all the way to the top. As long as your country isn’t in imminent danger of invasion by the United States or its allies, the worst thing you can expect when you inevitably crack down on your local version of the global revolution is a light finger-wagging reprimand.

From Reuters:

‘We continue to follow events in Turkey with concern, and our interest remains supporting freedom of expression and assembly, including the right to peaceful protest,’ White House spokeswoman Caitlin Hayden said in a statement.

‘We believe that Turkey’s long-term stability, security, and prosperity is best guaranteed by upholding the fundamental freedoms of expression, assembly, association, and a free and independent media. Turkey is a close friend and ally of the United States, and we expect the Turkish authorities to uphold these fundamental freedoms,’ she said.

Our leaders will have plenty of statements about the importance of Democracy to keep them warm at night while the tear gas fills the streets.

Unless of course you’re keeping our warships safe in your harbors, like the repressive regime of Bahrain; put down this playbook, because you can already do whatever you want.

3. When In Doubt, Provoke

Tuesday Watercooler

By: Kit OConnell Tuesday June 11, 2013 8:00 pm


Last weekend, I reported on Occupy Austin’s solidarity assembly for Occupy Gezi. Tonight’s video is from Austin’s second rally for solidarity with the Turkish people, this one hosted by Austin’s branch of the International Socialist Organization. The video was created by the Zgraphix.org / Austin Indymedia Center team.

As a journalist, I do a lot of my news gathering, and a lot of my reporting on Twitter. That’s why I’m very glad to announce a new feature on MyFDL to allow easy embedding of a tweet. Simply copy/paste the URL (web address) of the tweet you want to embed (it will look something like https://twitter.com/TwitterName/status/longstringofnumbers ). For example, pasting https://twitter.com/KitOConnell/status/344571527209025536 on its own line results in:

It works exactly the same if the tweet has media attached, such as this picture of an almost overwhelmingly cute elephant:

Or even tweets which have a YouTube or Vine video:

For those unfamiliar, Vine is a popular smartphone app which records 6 seconds of video at a time. Vine’s always autoplay but with sound muted; you can toggle the sound by clicking the speaker icon or stop the video by clicking on the image.

 

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Monday Watercooler

By: Kit OConnell Monday June 10, 2013 8:00 pm

 

The Prism Logo

G-men have made terrible artists since AT LEAST the '60s.

Monday’s musical selection is “Tongue Behind My Teeth” by the Staves, from their album Dead & Born & Grown.

The Austin Chronicle has a fascinating article about FBI “COINTELPRO” infiltration of anti-war movements on college campuses, specifically the University of Texas at Austin. Not only did agents engage in smear campaigns against the character of activists, they also wrote fake letters to UTAustin’s famous campus paper The Daily Texan under the colorful pen name Dillon J. O’Rourke.

The FBI even designed a fake underground ‘zine called the Longhorn Tale:

‘San Antonio [field office] feels that from time to time steps can be taken to cause disruption within the ranks of the new left to expose them for what they are,’ reads the redacted Jan. 17, 1969, memo from the FBI San Antonio field office to Bureau Director J. Edgar Hoover. ‘One technique the San Antonio division would like to propose is that a publication be launched which would consist of a 1-page throwaway document which could be printed or mimeographed to expose or point out the identities of New Left individuals who are causing disruption …’

That provocative ’1-page throwaway’ was intended to become The Longhorn Tale, a phony underground newspaper to be produced by the FBI, with the purpose of neutralizing anti-war and anti-draft sentiment on the campus of the University of Texas at Austin at the height of Sixties campus unrest. It wasn’t the first such effort: The FBI had also produced four editions of a fake campus newspaper at Indiana University Bloomington in September and October of 1968, called Armageddon News, and then in December of 1969 produced and distributed a third and final fake newspaper – called the Rational Observer– at Washing­ton D.C.’s American University.

Barely noticed at the time and long unseen, the three papers were recently discovered in a cache of declassified FBI documents. “[They are] one of the ‘smoking guns’ that activists who produced the underground press in the Sixties and Seventies could little have imagined: right-wing campus papers produced by the FBI,” said James Danky, instructor at the School of Journalism and Mass Communication at the University of Wisconsin, and author of Undergrounds, a librarian’s catalog of alternative press publications. “These papers’ faltering efforts … speak to the cultural and political distance between the forces of repression led by J. Edgar Hoover and the seismic changes in America’s social fabric.”

It’s worth clicking through to read the whole article, especially so you can see the terrible artwork sketched up for the masthead.

A comment from The Daily Texan’s Associate News Editor, via Twitter:

@kitoconnell I think we can all agree that the FBI and NSA have a fantastic team of artists working on their mastheads #prism

— Andrew Messamore (@AndrewMessamore) June 10, 2013

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What’s on your mind tonight? It’s an open conversation in the comments.