UPDATE: John Anderson will join us on the FDL Book Salon on March 30!
More: See John Anderson’s recent collaboration with the Austin Chronicle’s Michael King: “Fun And Games With Stratfor“
John Jack Anderson has decades of experience as a photojournalist. As part of the Austin Chronicle team, he conducted a long study of Occupy Austin from its first beginnings till the point when its activity waned two years later. He continues to be a fixture at local protests, and during the height of Occupy was our embedded reporter — someone activists trusted enough to tip off about direct actions and civil disobedience before they happened, even in those paranoid days of police infiltration and provocation.
Though the Chronicle published a continuous photo gallery, Jack Anderson has just collected the best of his coverage into a pair of photo books: In Search Of A Revolution, and the shorter Occupy Austin: The Encampment Months. Both are available as vivid, full-color printed editions, but Revolution is also available as an inexpensive iBook and .pdf.
Anderson has a sharp eye and caught many funny, chaotic and even tragic moments. The books contain both large events like marches and arrest, but also general assemblies, tent city life, and play. Revolution also documents his photos of the undercover Austin Police Department officers who infiltrated the movement — a special glossary in the back shows where to find each known officer in each photo in the book.
Of course I’m partial to the book in part because it contains so many great photos of my friends, myself, and all that we accomplished from the moment that first tent went up on the steps of Austin City Hall right through all the months we continued gathering and acting despite eviction. But anyone interested in the life of social justice movements and the use of public spaces should get a copy.
Though Anderson is an unapologetic supporter of Occupy’s goals, he stood at just a step removed from the rest of us citizen (gonzo) journalists in the camps with our tweets and streams. His loving outsider’s view of this uprising should not be missed. From occupiers raised in chants and song to the faces of police as they swing a baton or fist, there will be much that lingers in your memory here.
I sat down with Jack recently to talk about his experiences at Occupy and the new books.
Kit O’Connell, Firedoglake: Tell me a little of your background before Occupy.
John Anderson: I started getting into activist photography when I lived in Washington, D.C., as a photo student. There’s always a protest, march, rally or something in D.C. It made for easy assignments. My first photograph that was published in 1986 when Reagan bombed Libya. I went down to the White House and it got published in the paper and I got hooked on that.
The intentions of the Occupy movement really got my attention. It was something I’d been waiting for, for years. It was trying to get at some of the root causes — capitalism — of the structural issues in our society. Instead of chasing environmental issues over here, and education issues over there, Citizens United — instead of all those separate issues, Occupy wanted to bring them all together to strike at the root, which to me was too much corporate power in our government and the resulting inequality.
I wanted to go to Occupy Wall Street but just couldn’t manage it, but then of course the movement spread and came here to Austin and I thought ‘great!’ Now I can document Occupy without having to go to New York. At the same time, the Chronicle started putting together photo galleries for the website and we realized an ongoing encampment at City Hall would certainly be worthy of a photo gallery. At that point we were ambitiously hoping to update it every day, but you were having general assemblies every day and marches every night, and everything else in between.
I loved the energy, the 24/7 aspect of it. If I were downtown and between assignments I could just go down to City Hall and hang out. You can’t compare that to anything else, at least that I’ve covered. It started as an assignment and then became a labor of love. No one at the Chronicle expected it to go on for years!
FDL: Do you have any favorite moments from documenting Occupy?