He is a legend, a master.
He sang baritone and played dobro.
He changed dobro play and musicianship in the way that Beethoven changed symphonic music.
He changed things in music and dobro play that people and generations to come will emulate, from lessons. And they already have been for 30 years.
He influenced musical genres in ways that will last for generations to come.
He was my hero.
I learnt a Greensleeves arrangement on a lap dulcimer in ’73 from his first solo album, Dobro. A HOT version, fast and furious after a slow intro.
Blew folks away anytime I did it, influenced thousands of real musicians in its time, the original version he did, did. But I got attention when I broke it out.
I continue to have wet eyes for two days now, since knowing he was first in hospice, and then at home suddenly, to pass on. I didn’t know he was 10 years fighting cancer, this hero of mine, he never let it be known. I never knew. Had I known, I might have just flown to the east coast to take one lesson from him, if I had the money. But I didn’t, and now, it’s too late, even if I do find the money.
Damn.
I play his music, I have lots of his music, I keep playing his music, all of it, on and on for two days now.
Of all the pickin heroes who have died thru the years, John Duffey, John Hartford, Vassar Clements, recently Earl Scruggs, Doc Watson . . . this one hurts more than all of them. He was 73 and he had cancer for 10 years. And still played and recorded in the studio.
Two of his most accomplished idols, and monsters on dobro themselves, who have gone on to further the dobro, Jerry (Flux) Douglas and Rob Ickes (of Blue Highway fame) have recently finished a project with St. Mike as he was dying, and it’s being wrapped up for release soon . . . they never mentioned a single thing about his cancer. But they got to play with St. Mike for his last times in a studio.
You’ll have to google up youtubes, there’s not a lot of St. Mike’s music from his solo works, but there’s a lot of Seldom Scene vids out there, and a few more of St. Mike doing test drives of his sig model dobro’s at Beard Guitars and of him hanging with others in other sitches. Grand moments, if ya watch them all.
He did 6 string dobro, blues and bluegrass style, he did 8 string dobro with jazz, swing, and all them E-6 and C-6 tunings that pedal steel gits have cuz well, he PLAYED pedal steel sweet and sharp with the best of them.
He did versions of Stompin At The Savoy that would have Benny Goodman blushing, and well, Benny’s up there with Vassar, Doc, Earl and John Duffey, and a few others. Bet they tear it up.
Here’s a vid of St. Mike ‘splainin history of dobro, dobro artists, from Jimmie Rodgers thru his own works, that’s just history in the making and a must keep vid:
St. Mike Tells And Plays History.
N to finish this tear stained letter, as I wipe up my keyboard from the salty saline drippin from my eyes, is a John Duffey song that will have ya cryin in a few notes, and while yer lids are drippin from Duffey, the words and the song, take a listen to what St. Mike does with that dobro, cuz that my friend, will have you busted out bawlin like a baby in 3 notes. Dawh help me, but that’s some cryin eyes out dobro matchin pickin to Duffey’s mournful dirge, that just sets it.
I miss him already, I will treasure his music and his gentle, kind soul that everyone talks about, forever. RIP St. Mike, thanks for all the gifts, they will go on giving for ever.



7 Comments

Thanks for this, Larue. Mike was a good’un. He was to the Dobro what Leo Kottke was to the twelve-string.
Um, MUCH bigger to dobro than Kotke to 12 . . . don’t mean to denigrate, but, MUCH bigger to dobro and music all to gether.
Kotke was peanuts to Mr. Auldridge’s influence on music and musicians.
No offense, but it’s writ and true.
Auldridge was big as . . . he was big. Kotke can’t carry his case.
And I LIKE Kotke.
But he was just a cog in the wheels, Mike Auldridge WAS the wheels. His influence on music FAR transcends anything Kotke did.
By far.
Mike Auldridge, was the Beethoven of our times.
Think about it. The Beethoven of our times.
That ain’t Kotke. It’s Auldridge. And it’s put to print, and to his discography, and his life.
St. Mike, is not just a misnomer or nickname.
The guy is a legend, a hero, far beyond Kotke in any history of americana or any other music.
;-)
Real sorry to hear that. Nice write-up, Larue. Thanks.
https://www.youtube.com/watch?v=6b5osaFRs7Y
Larue,
Sorry to hear that one of your Heroes died. Although, I am woefully versed in Musicology, losing a stellar Musician, is always heartfelt, especially when considering, that music brings folks together, regardless of the purpose.
Take, for example, earlier this month and just before Christmas, my neighbor went out and borrowed the “Virgin de Guadalupe” from the local Catholic church and provided a house party to celebrate the Posada. Thus, a 75 year-old gentleman from somewhere in Latin America played a dozen religious songs, and all done with a trumpet. This first time experience for me, was a phenomenal experience, knowing that trumpets and religious music very seldom or ever coincide in and at any public event.
And it’s for this ‘reason’ that I understand this Empathy Moment of yours.
Jaango
Thanks very much for this, Larue. Saw him play with the Seldom Scene at the old smokey Birchmere a few times, years ago.
That was beautiful, Larue, many thanks. My father was playing the steel guitar after WWII – he’d go into the bedroom and play in the dark. Music was therapy to him. I’m woefully sad when he tried to teach me I shied away from it. He’d have known of your friend, for sure. (Us kids were good on the gutbucket, tho. :) )
Thanks to all who are stopping by to honor this fine man, whether ya knew of him or not.
He’s just one of those in place, thing, genre, one of those BIG ones that only come once a generation if lucky . . . and change everything, forever.
That was this fine humble man.
Best to all, thanks again for stoppin by.