Saturday Art: Cameron, Art and Magick

1:36 pm in Uncategorized by Lisa Derrick

Dark Angel” portrait of Jack Parsons, by Cameron

(Second image, below the jump ,is NSFW and was declared by LAPD in 1957 to be “lewd”)

Cameron Parson–she  despised her first name, Marjorie–led a storied life, filled with art, passion and magick. Born in Iowa, she joined the Navy during World Wat II, but went AWOL when her brother was injured and spent the rest of the war confined to base, leaving with an honorable discharge. Following her family to Pasadena, she met Jack Parsons, a notorious and brilliant rocket scientist, one of the founders of the Jet Propulsion Laboratory and the discoverer of solid rocket fuel.

Months earlier Jack Parsons–a follower of English occult practitioner Aleister Crowley, dubbed “the Great Beast” and “the wickedest man win the world” and head of the magickal group Ordo Templi Orientis–had performed a series of magickal rituals with a boarder at his rambling house. The boarder, who shall remain nameless, was a pulp fiction writer who would later go on to found one of the most goofy and litigious celebrity-heavy cults in modern history. He and Parsons had performed sex magick to conjure up an “elemental” girl friend, the Scarlet Woman, Babalon, for Jack, since the boarder had taken up with Jack’s current lover, Betty, the half sister of Parsons’ ex-wife.

Parsons and the boarder performed the sex magick rituals, and Cameron walked into Parsons house, a bohmian enclave of writers, artists and oddballs. The two became lovers and eventually married, with Cameron becoming more and more immersed in the O.T.O., though she took breaks from Jack and his lifestyle in the desert, at a Swiss nunnery and in Mexico.

In 1952, as Jack and Cameron were preparing to leave for Mexico where Parsons–who had lost his security clearance at  Hughes Aircraft–had been offered a job, the scientist dropped a container of mercury fulminate and blew himself up. It was a grisly end for the Dark Angel. Cameron retired to the California desert for three years and then emerged again in Los Angeles with a series of paintings called Parchments, and reaffirming her friendship with Walter Berman and others in his circle. Fellow occultist Kenneth Anger cast her opposite Anais Nin in his  1956 film Inauguration of the Pleasure Dome and director Curtis Harrington filmed Cameron’s artwork and rituals for The Wormwood Star.

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