This year for the first time in many years instead of celebrating Christmas with some of the children in one of our orphanages in Irak I’ll be in Denmark celebrating it in the company of my grandchildren. I’m in Denmark at present and heard the news of the mass murder of 20 children and six adults at Sandy Hook elementary school in Newtown, Connecticut, on the radio. One of the reports spoke of a child relating how she and one of her teachers hid from the gunman and of how her teacher comforted her and held her.
We bandy about words like “terror” and “anguish” but rarely are we confronted with what they truly mean. If you want to know the meaning of “terror” then the emotion felt by the parents with children at Sandy Hook elementary school as they made their way to the school to learn of their children’s fate is terror. If you want to know the meaning of “anguish” then the emotions being felt today by the parents and families of the murdered children and adults is anguish. Burying your child as I and most my colleagues in “The Guides” can testify is a miserable experience and neither the memory nor the hole in your heart ever quite goes away.
I’m sure that everyone reading this was shocked, grieved, and yes angered, by the news and each of us in our own way seeks consolation. For me part of what made my life bearable are my love of paintings and of choral music. Paintings and music help us to endure the unendurable and express the inexpressible. I first saw Cogniet’s “Massacre of the innocents” more than 40 years ago, I’ve never forgotten that day and even now it’s one of my referents for the words “terror” and “atrocity”. Can anyone doubt looking at that poor woman’s face that she is experiencing terror? Can anyone look at her face and not feel compassion?
As it happens when the news of the multiple murders and mass infanticide at Sandy Hook elementary school came through I was busily engaged writing about a piece of music that deals directly with the slaughter of children and that consoled me greatly during that dark and dreadful time in my life. I’m sure many of you have heard the “Coventry Carol” and I’m equally sure that quite a few of you who know the carol don’t know its story.
The Coventry Carol is nearly 500 years old and was sung during the Nativity plays put on over Christmastide as part of the celebrations by the Guild of Shearmen and Tailors in Coventry, England. The first written record for these plays the “Coventry Plays” dates from 1392 and it’s known they were performed for at least forty years before that. The Coventry Plays continued for nearly two centuries after 1392 and were so famous and prestigious that English royalty were among the numerous pilgrims who undertook the difficult and unpleasant winter journey to watch them being performed. They were seen by Henry VI’s queen Margaret in 1456, by Richard III in 1484 and by Henry VII in 1492 the plays were finally suppressed by Queen Elizabeth I in 1579. The lyrics to the Coventry Carol deal with the anguish and despair of a mother as she tries to hide her child from the marauding soldiers during the Massacre of the Innocents. They’re believed to be by Robert Croo and date from 1534. The melody dates from at least the early 1580s and may have been sung during some of the last performances of the Coventry Plays. It’s a beautiful piece of music with a haunting child-like melody and a simple refrain it’s sung below by the English boys’ choir Libera the soloists are Josh Madine, Ralph Skan, and Stefan Leadbeater. I post it here in the hope somebody in need of comforting will hear it and be consoled.
markfromireland
Lyrics: Coventry Carol
| Original Lyrics: | Modern English |
| Lully lulla, thow littell tine child,By, by, lully lullay, thow littell tyne child,By, by, lully lullay!O sisters too, How may we doFor to preserve this day
This pore yongling, For whom we do singe By, by, lully, lullay? Herod, the king, In his raging, Chargid he hath this day His men of might In his owne sight All yonge children to slay That wo is me, Pore child, for thee, And ever morne and [may] For thi parting Neither say nor singe, By, by, lully, lullay. Robert Croo (fl 1534) |
Lully lullay, thou little tiny child,By by lully lullay.Oh sisters too, how may we doFor to preserve this dayThis poor youngling for whom we sing
By by lully lullay. Herod the king, in his raging, Charged he hath this day His men of might in his own sight All children young to slay. That woe is me, poor child, for thee, And ever mourn and pray. For thy parting, neither say nor sing, By by lully lullay. |
Picture Source:All sizes | Massacre of the innocents Cogniet 600×581 | Flickr




32 Comments

— why did she suppress the event?
So glad to see a new Saturday Chorale, mfi.
Thanks for this, Mark.
It was a very blatantly Catholic event Philip. By the late 1570s she was determined to force through her religious settlement and the establishment of the (protestant) Church of England.
From time to time people email me or leave comments on my site asking me start doing Saturday Chorale postings here again. But it would take a lot to persuade me. Between my real job(s) and Saturday Chorale I’m frantically busy. I’ll probably do a (very) occasional posting here but there are only 24 hours in the day and duty comes first.
mfi
You’re welcome.
mfi
“It was a very blatantly Catholic event Philip.”
— that’s what I figured.
Oh, thank you so much, Mark. I have heard this carol many times and was so moved by the notes, I didn’t realize what the words meant.
So incredibly appropriate for these days.
(My dad’s mother was Danish, Petersen.)
Many hugs for you and your grands.
English reformation history is fascinating as is English music of that period. The more I study and listen to the music of Taverner, Tye, Sheppard, Fayrfax, Tallis and Byrd – particularly Byrd, the more I find there is to study and listen to.
mfi
It’s a lovely carol and knowing a bit about it’s story and meaning just increases the enjoyment.
I’ll duly hug the horde a bit extra when I see them tomorrow.
I remember you telling me of your Danish antecedents. If you’re interested I have a section on my site dealing with Danish music and/or Danish choirs. Some of the posts are in English and others are “skrevet på dansk” all of them feature music and musicians worth listening to:
http://saturdaychorale.com/category/dansk/
As we’re coming up to Christmas – my all time favourite Danish Christmas carol which you probably know as “My Heart Always Wanders”
Arve Moen Bergset: Mitt hjerte alltid vanker – | Saturday Chorale
mfi
You’re a doll, mister.
(And, so smart and committed, too.)
I shall offer you some of the white macadamia cookies I’m currently baking.
One of the last lines from The Children’s Hour… Cooking always makes me feel better.
In case it might also increase the enjoyment.
We are in a time of sensual stimulation. Some of it painful and some of it sweet.
Thanks, again.
Flattery and cookies will cement our friendship for ever :-)
(Although it’s only fair to warn you that I hope you can move very fast as Dario, Uffe, Wolf, Giorgious, Najma, and Ali, are likely to stampede if they get a sniff of freshly baked goodies).
mfi
I was thinking about how hugs and cookies – as metaphors for friendship, loyalty to faith and beliefs, appreciation and affection, and sustenance, health, enjoying the sweetness of life – is probably all we need.
(Sometimes I bake cookies just to fill the house with all of that!)
Thanks for the stampede. Bring ‘em on.
Thank you, markfromireland. Fascinating post. Coventry Carol has always been my special song at Christmas as a Socialist/Agnostic raised child.
How heart-rending to hear the story behind the song. Such a beautiful, sorrowful song.
I’m starting to think that art and music are the only languages humans really understand….and hugs…
Thank you very much for this post.
This is really beautiful, thank you.
I love this carol. Thanks so much.
I learned this song as a child from a Kingston Trio album. I thought it was a sad song and it always tainted Christmas for me afterwards, knowing what was coming a few days later. But it really hit me hard when I had a baby boy. He’s 32 now, and that’s how many years it’s been since I listened to that song. I hope this link works:
http://www.youtube.com/watch?v=uYFDO02Y2aI
It is heart rending but also, as you say, very beautiful.
mfi
Oh no, we understand the language of compassion and that of love too & ndash; when we want to, and when we let ourselves do so.
mfi
Glad you liked it.
mfi
You’re welcome margot.
mfi
It is a sad song dealing with heartbreaking and terrifying events. Christmas encompasses both. I know what you mean about how after you had your son it hit you particularly hard. (And yes the link works – I checked)
mfi
Exactly right, markfromireland, and thank you for posting this very beautiful diary.
Those are wonderful languages!
Papist suppression, papist feelings were exacerbated by the existence of Mary Queen of Scots.
None of the Tudors were secure on their thrones. All of them lived in turbulent times, especially over the subject of the authority and standing of the church.
… X 2
mfi, is this the same episode as the angel of death scene in Prince of Egypt?
http://www.youtube.com/watch?v=YKwFHRlxV4o
Pharoah’s son dies, so it seems like it wouldn’t be — but I don’t know. Saw the movie a ways back, don’t remember Herod. If Herod’s part of Christ’s story, then Herod would be later? Sad thing to kill children for being children, how many episodes like this are there?
This is a lovely post,mark. I love this carol, too, sad as it is.
and as you say about your “love for choral music,” I love it,too, and spent the afternoon having my spirit lifted by my favorite annual Christmas concert, by a group of women a cappella singers singing medieval and Renaissance choral music in a gorgeous setting. I left feeling better, as always. (They are called Voci di Sorelle, and are women with other jobs, who do several events through the year. Just beautiful singers.)
Thanks for squeezing out time for this post. Nice to see you at Pull Up Your Cat, too.
MDCitizen, thanks for posting that – I love what K3 did with it, their harmonies and countermelodies. I had the song on a Christmas album variety set – they used John Denver’s version. It was one of the best songs on the whole three or four record set. Funny, we were just talking about John Denver, saying that we missed him and how we never him on the radio anymore, even though we listen to stations where you’d expect him to be included.
http://www.youtube.com/watch?v=JoDJJ3oCJlE
No, no, yes much later (if you assume either is historical). See Matthew, Chap. 2.
Indeed.
Thanks for bringing this music here today, and for your comments along with it.
The scene in the Prince of Egypt is from the story of Moses and the Exodus; the story mfi relates is from the account of King Herod’s reaction to the news of the birth of Jesus as a new king in Israel: “find all the newborn boys and kill them!”
Thanks. When I saw the movie, I listened to the commentary track along with it, and the filmmakers were saying they had to revise things because with stuff like that it made you sympathetic to Pharoah, which was not what they were trying to achieve. Remembering now, I think they put more emphasis on scenes where Pharoah was given chances to change his mind and do as his brother Moses commanded, but he wouldn’t, couldn’t as Pharoah, so…when all the terrible things happened it was like he had asked for it, was the way we were supposed to see it. Sad, but his own fault. And I was thinking that’s creepy. And balancing it against the beginning of the movie – the painting mfi is sharing is really a lot like Yocheved in the beginning hiding her kids from Pharoah’s men. That’s what I thought of right away. I can find part of it on youtube but not that part – everything’s a fandub there, I guess Dreamworks isn’t into youtube.
http://www.youtube.com/watch?v=t4Kph6UKQJM
So, both sides were perfectly down with killing children, in the name of the righteous/glorious authority of their side. By the time it was over, I was ready for the Jesus I was taught about when I was a kid, someone who wouldn’t kill anyone. Suddenly he made perfect sense, he said what that world needed to hear. I guess. That’s what I took away from the movie anyway. Sadness for all the kids, including those who grew up, and what was done to them and what they passed on in the name of authority.