Occupy Wall Street has always been as much a media phenomenon as a political one. The revolution hasn’t exactly been televised, but Occupy’s biggest victory so far has been its radical public-relations coup, saturating both mainstream and alternative outlets with icons and images of popular protest that have been subsequently broadcast, live-streamed, and projected, bat signal-style, onto the concrete face of the New York skyline. But there are still aspects of the movement waiting to be documented.
Now that the media establishment’s spotlight has faded somewhat, a film festival devoted to Occupy at Manhattan’s Anthology Film Archives has returned those radical aesthetics to the foreground, conscious of the singular ability of old-fashioned film to capture the crackling energy of a social movement. And the films selected by the festival coordinators, Arun Gupta of the Indypendent and New York University media professor Michelle Fawcett, were presented as both a nostalgic retrospective and hopeful prequel to the next chapter.